Two weeks into the installation of Untitled (Basin and Range) and I can now take a step back and admire how far the installation process has come. From the top of Range #1, the beautiful cityscape of downtown Tucson can be seen through the gates. The northern gates of the museum have now been opened, as the crew and I prepare to expand Range #1 into the Great Plaza of MOCA Tucson.
Installation continues on Untitled (Basin and Range) at MOCA Tucson with the building and placing of the wooden grids – or pancakes – into the individual mountain ranges. Here, the crew and I lift the wooden grid from the template and carry it over to Range #1. We then place it vertically, securing it with temporary braces before adding the the permanent long horizontal pieces of lumber.
The next phase in the installation of Untitled (Basin and Range) at MOCA Tucson is to construct a grid based on a template that Henry and I have created measuring 18 feet 6 inches by 24 feet with a three foot square gap between beams. This template helps us outline the wooden grid structure for each individual mountain range. There will be five mountain ranges in total as we start with #1 and move clockwise until we reach range #5 which will sit outside the building.
As with all of my site-specific artworks, I create a scale model to envision my project and to act as a guide for installation. The scale model of Untitled (Basin and Range) arrived in Tucson, Arizona and is now situated within the Great Hall of MOCA Tucson. For the first part of the installation, the team and I are working off the scale model to lay out each individual “mountain” before assembly.
With the arrival of the wood and my team in place, we got to work preparing for the installation. We extended the 12 foot long pieces of lumber into 24 and 36 foot long pieces. Henry is sawing the wood to create joints which Helena and Dianna are gluing the joints together while Logan applies additional screws for safety.
I am very excited to be working with a great crew at MOCA Tucson for Untitled (Basin and Range). Here is the crew enjoying a much deserved break (also known as “beer o’clock”) – Helena Hill, Logan Gonzales, Henry Kerr, and Dianna Bynun. Cheers to you for all your assistance thus far and in the coming weeks!
With the arrival of 1500 12 foot long by 2 inch by 2 inch (2″ x 2″s) piece of pine, the installation of Untitled (Basin and Range) can now get underway.
I am so thrilled to announce that I will be presenting my first major museum show at the Museum of Contemporary Art (MOCA) in Tucson, Arizona. MOCA’s director, Anne-Marie Russell, has invited me to take over the entire Great Hall where I will create a site-specific installation utilizing a wooden grid, aluminum mesh and poured paint. The piece, Untitled (Basin and Range) will be my largest piece to date.
I am looking forward to the six week installation ahead of me. I’ll keep you updated on my process. Cheers!
Download MOCA Tucson Press Release 2013.
SiTE:LAB’s founders Paul Amenta and Tom Clinton have to put together a design competition to find a new purpose for the former Grand Rapids Public Museum located at 54 Jefferson. (This is the building where I exhibited within the Mammal Hall last year, creating 27 architectural interventions within the habitat dioramas.) Since 1994, the Museum has been closed to the public and now the challenge is to find a new way for the building to serve the public. 54Jeff wants to know what innovative ways this can be done.
I am honored to be a juror for this competition along with Reed Kroloff, Eva Franch i Gilabert, and Steven Zacks. Looking forward to being a part of this exciting new venture!